The town's poet is known as Amelia Bronte, while the secretary is Pepper Work. When a new job is discovered the relevant Pixel Person is bestowed a droll name. Your new Pixel Person must then be put to work in one of the appropriate buildings where they work alongside others to generate finances with which to further extend the town's reach. This entrance is handled with pleasing ceremony, the new recruit arriving as a collectible figurine which must be freed from its crinkly virtual packaging with a rasping swipe of the finger. Successfully splice two jobs and you'll be required to wait for a set amount of time (which you can pay to skip) until a new Pixel Person arrives in the game, decked out in the relevant uniform for their new vocation.
For example, splice the 'Artist' with the 'Salesman' and you'll create the 'Art Dealer'. This is done by selecting one of the currently discovered vocations and logically combining it with another in order to see if a new job will be created. Selecting a new 'clone', as they are called, allows you to splice a new job for them. When new tenants appear, they are held in the Arrival Centre where they await processing. Instead, your primary task is to 'collect' the 150 job types available to the titular Pixel People, the residents who move into your town one by one as the hours roll by. But there is no meaning or benefit to your town planning beyond an aesthetic one.
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Ostensibly the game is about building a unique city: choosing, for example, where to build the university, the café, the TV station, the art gallery and so on as these new buildings become available. These either house the growing population or provide a municipal income used to expand the town's boundaries. Your domain is a blank canvas of gridded space set against the buckshot stars, where you slot different buildings. But it's soon clear that Pixel People is an exquisitely presented game with a hollow heart, asking players for their time or money and offering little satisfaction in return. It assumes a bright, sharp pixel-art aesthetic and employs enticing imperatives like 'Splice', 'Explore', 'Discover' and 'Build' that imply the need for ability and the capacity for self-expression. Pixel People is a free-to-play game dressed to appeal to skilful game players.
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For example, 'Writer' plus 'Writer' results in 'Editor'. There's humour and thoughtfulness in the splice outcomes. In these cases, free-to-play presents more than a mere shift of business model it changes the very nature of a game. Good free-to-play games find ways to inject some of the old skill into the mix, but the poor ones ask for nothing more of their players than persistence or wealth. Now, game progress is achieved through time investment (waiting for your crops to mature, buildings to erect or soldiers to train) or financial investment as you pay real money to expedite the process. In order to make the game appeal to as broad a range of players as possible, the skill requirement is removed and replaced with money. The mainstream free-to-play model popularised by FarmVille has altered this recipe in a fundamental way. The time-rich player is able to progress through investment of effort, increasing their character's strengths through repetition, accruing in-game currency to purchase a faster car or sharper sword. The skilful player is able to move through a game on merit, mastering its systems through experience or natural ability. Time and skill: video games have demanded one or both of these investments from players for over three decades.
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