The bracketed numbers tell you the precise instrumentation of the ensemble.
Armed forces medley short version trumpet code#
While this instrumentation has come to be common, it is still not "Standard" as many Brass Dectets use very different forces, most often with more Horns than PJBE.įollowing some titles in our Orchestra & Band catalogs, you will see a numeric code enclosed in square brackets, as in these examples:īeethoven Symphony No 1 in C, op 21 Piccolo and Flugelhorn being the most common. In addition, there are often doublings in the Trumpet section It consists of the forces 414.01, and often includes Percussion and/or Tympani. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble. People often ask us about "PJBE" or "Philip Jones" instrumentation.
Armed forces medley short version trumpet plus#
Any additional instruments (Tympani in this example) are indicated by a "w/" (meaning "with") or by using a plus sign. The first number stands for Trumpet, the second for Horn, the third for Trombone, the fourth (separated from the first three by a dot) for Euphonium and the fifth for Tuba. The bracketed numbers tell you how many of each instrument are in the ensemble.
Whenever this occurs, we will separate the first four digits with commas for clarity. These are linked to their respective principal instruments with either a "d" if the same player doubles the instrument, or a "+" if an extra player is required. Sometimes there are instruments in the ensemble other than those shown above. This woodwind quartet is for 1 Flute, no Oboe, 1 Clarinet, 1 Bassoon, 1 Horn and Piano. Any additional instruments (Piano in this example) are indicated by "w/" (meaning "with") or by using a plus sign. The first number stands for Flute, the second for Oboe, the third for Clarinet, the fourth for Bassoon, and the fifth (separated from the woodwinds by a dash) is for Horn. Rimsky-Korsakov Quintet in Bb Item: 26746 God bless those souls from Katrina - and, today, those souls from Ida.Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:
This dirge is my tribute to those brave, valiant, fallen heroes. I never cried so much, shedding tears for the many bodies I saw, and the many, many more I didn’t see. One dead body I didn’t see in the video was that of an old neighborhood friend who died trying to help people stay on their roofs while floodwaters raged beneath. I saw these bodies in the raw footage of Spike’s documentary. Dead bodies in neighborhoods I grew up in. I feel like it was being screamed at me: my personal clarion call to hear and weep with my hometown, New Orleans.ĭead bodies floating. Actually, I don’t feel like I composed it. My song “Funeral Dirge,” from the album “A Tale of God’s Will,” originally composed for the soundtrack of Spike Lee’s first Katrina documentary, “When the Levees Broke,” still haunts me today. But as I write this, yesterday was the 16th anniversary of Hurricane Katrina. This album set the stage for people thinking differently about the orchestra and jazz. Ordinarily, I would invite you to listen to Miles Davis’s “Porgy and Bess,” a classic collaboration between Miles and Gil Evans. Fielder would say, “It is a mirror of your mind.” My trumpet teacher Bill Fielder would always ask, “What is the trumpet?” I would ponder for a moment and offer an encyclopedic answer like “A metal instrument with … blah, blah, blah.” To that Mr. Here is my impassioned clarion call to understand the trumpet! See that exclamation point? That’s what a trumpet does. ◆ ◆ ◆ Terence Blanchard, trumpeter and composer
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